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by Isabella Apr 03,2026

It sounds like a major reboot of Miami Vice is in the works, and fans of the iconic 1980s crime drama have plenty to get excited about—especially with such a strong creative team attached.

While details remain under wraps, the news that Dan Gilroy is writing the screenplay—building on an initial draft by Eric Warren Singer (who also worked on Top Gun: Maverick)—suggests a fresh yet tonally grounded take on the franchise. Gilroy’s work on Nightcrawler and his acclaimed contributions to the Andor series (a standout in the Star Wars universe) point to a gritty, character-driven narrative style, which could be a welcome evolution from the 2006 film’s more stylized, action-heavy approach.

Meanwhile, Kosinski’s involvement as director brings a strong visual sensibility and an eye for high-octane atmosphere—qualities he's demonstrated in Tron: Legacy and his upcoming F1 movie, which hits theaters in June. His direction is expected to bring a kinetic, cinematic flair to the reboot, potentially channeling the neon-drenched, synth-heavy aesthetic that defined the original series while updating it for modern audiences.

The original Miami Vice (1984–1989), created by Anthony Yerkovich and shaped by the visionary Michael Mann, revolutionized television with its moody visuals, innovative use of music, and stylish storytelling. The 2006 film adaptation, also directed by Mann, was praised for its authenticity and atmosphere but didn’t fully capture the cultural impact of the series.

Now, with Kosinski at the helm and Gilroy crafting the script, there’s hope this new version will honor the legacy while carving its own identity—possibly leaning into the moral ambiguity, urban decay, and complex characters that made the original so compelling.

One thing’s for sure: if the plan is to set this in the lush, sun-soaked chaos of 1980s Miami, Kosinski’s Ferrari collection might not be the only thing he’s hunting—he’s likely on a mission to resurrect one of TV’s most iconic crime sagas.

Stay tuned. The heat’s on.

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