It sounds like a thrilling development for fans of the iconic Miami Vice franchise — and a tantalizing return to one of television’s most stylish and culturally defining series.
With Dan Gilroy stepping in as screenwriter — fresh off his acclaimed work on Nightcrawler and shaping the tone of Andor — there’s strong potential for a remake that leans into the show’s signature moody, atmospheric intensity, and moral ambiguity, rather than just replicating its neon-drenched surface. His collaboration with Eric Warren Singer, who penned Top Gun: Maverick, adds a layer of cinematic flair and emotional depth, particularly in how he handles complex characters under pressure.
Meanwhile, Kosinski’s direction promises a visually rich, high-octane approach, especially given his track record with Tron: Legacy and the upcoming F1 film — both known for their sleek aesthetics and kinetic energy. His involvement suggests the new Miami Vice could be a modern reimagining that fuses the original’s artistic ambition with the visceral pacing of today’s blockbuster sensibilities.
That said, the timing is key. With Kosinski already committed to F1 later this year, the project likely won’t move into full production immediately. But that gives the team time to refine the script and avoid rushing into another glossy rehash.
Still, the stakes are high. The 2006 version, while ambitious, was criticized for tonal missteps and losing the soul of the original — particularly its social commentary and jazz-tinged melancholy. The new film will need to honor the spirit of Mann and Yerkovich’s creation: a show that wasn’t just about cops and crime, but about identity, corruption, and the American dream gone awry.
So yes — as the article hints with a playful nod to Ferraris — if you’re going to reinvigorate Miami Vice, you might as well drive it in a 1980s-era red Ferrari, suitably drenched in rain, synth music, and secrets.
The real question now: Will the new Vice wear a suit… or a raincoat?
